Again, drag the numbers left or right to select the frame you want, based on the timecode. Sequence Timecode: This option allows you to make a still frame of any point from the clip in the sequence, and is limited to the length of the edited clip. Drag the numbers left or right to select the frame you want, based on the timecode. Source Timecode: This option allows you to hold on any frame from throughout the source media’s duration, regardless of the size of the section you have in the timeline. Now, you can choose how you want to get the frame. Check the box to “Hold On” (leaving it unchecked will remove the holds on selected frames), then select the option you want. Select any clip in your timeline, then go to the toolbar and click Clip > Video options > Frame Hold Options. To get started, you can set how you want your frame holds to work. Frame holds don’t create any new media in the project, just a new segment in the timeline that can then be edited. You can then drag that held frame to your desired duration or location on the timeline. They use whatever frame you choose and “hold” it. It’s all up to your style, and it’s all super quick and easy using Adobe Premiere Pro.įrame holds are exactly what they sound like. These can be frames that you hold on in the timeline, screenshots that you export from your editing interface, or even time-remapped still images that you can then use throughout your edit.Īmong the things you can use freeze frames for are imitating a still image to add emphasis to the visuals, pausing on someone’s face to introduce a character, or simply creating a thumbnail to use for your video online.

Adding freeze frames to your project is one of those editing techniques that ends up being useful in a huge variety of scenarios.

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